A vintage photograph captures a woman mid-flight, her silhouette framed against the vast, open sky of an abandoned airfield. She wears striped stockings, a short corduroy skirt, and a fitted blouse, her windswept hair styled in elegant 1920s waves. Strapped to her back is an elaborate steam-powered jetpack—a mechanical marvel of brass pipes, riveted metal plating, and exposed gears. A massive boiler hums and rattles as it releases plumes of vapor, the scorching steam curling into the air like spectral ribbons. Twin exhaust nozzles glow faintly with embers, their heat shimmering against the cool, misty horizon. The remains of faded runway markings flicker under the diffused, golden glow of a sinking sun, its light fractured by something unnatural. Floating in the air, jagged neon-orange geometric anomalies distort reality itself—sharp prisms of broken space, cutting through the mist like fractured glass. These glitches are not artificial overlays but tangible disruptions, warping the air and bending the light around them. Some drift lazily, pulsing with a synthetic glow, while others slice through the environment, their neon reflections dancing across the woman’s metallic jetpack. The entire scene is bathed in a surreal contrast of warm, golden hues and cool, artificial neons. The woman, poised between history and impossibility, soars through the air, her jetpack roaring, the steam swirling, and the world shifting unpredictably around her.

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