Lear’s senior thesis was an examination of the Federation ban on genetic engineering and the blurred lines when it comes to Augmentation, using the expression “God is in the grey areas,” a variation on the expression “God is in the details.” The phrase is attributed to various people, including Ludwig Mies van der Rohe and Gustave Flaubert, and is usually taken to mean that when attention is given to details big rewards can be derived. A related expression is “the Devil is in the details”, meaning that while things may seem simple on the surface, an examination of the details will reveal complications. It’s more likely that Lear means the latter rather than the former.

Lear also mentions discrimination against hundred of people with small percentages of Augment DNA, many of them Starfleet officers. Known Starfleet officers with Augmented genetics include SNW’s La’An Noonien Singh, although to what extent she has Augmented abilities is unclear, and Una Chin-Riley, although she is not a descendant of Earth Augments but is augmented due to her Illyrian background - both as of 2261. Dal R’El (PRO) was a Human Augment hybrid, and as a result was initially barred from entering Starfleet Academy in 2385. The 2370s would see Julian Bashir (DS9: “Doctor Bashir, I Presume”) and the members of the Jack Pack (DS9: “Statistical Probabilities”).

Tuvok expresses skepticism about Starfleet officers judging people with Augment ancestry that they do not control but Lear says he’d be surprised. She may be referring to incidents like Chin-Riley’s court martial in 2260 for concealing her Illyrian heritage (SNW: “Ad Astra Per Aspera”).

Tuvok also thinks Lear isn’t telling him the whole story. He says Vulcans find it incredibly difficult to lie, and many are incapable of it, and that this somehow this makes them sensitive to others lying.

Tuvok’s admission that lying is difficult for Vulcans rather than impossible is probably as close as we can get to a fair formulation of the “Vulcans never lie” myth. If we accept Vulcan logic as being devoted to the principle of c’thia, or “reality-truth”, an acceptance of reality as it is, as opposed of what we want it to be, then one can see why it becomes difficult as a matter of principle to deviate from it. Most times when we see Vulcans lie it is usually for what they consider the greater good, or justified as such, with Spock being a prime example. Even Tuvok himself lied when he went undercover in the Maquis (VOY: “Caretaker”).

McGivers and Khan’s as-yet-unborn daughter is named Kali, the Hindu goddess associated with time, death and destruction, although Western depictions of her mostly emphasize the latter qualities, mainly because of her association with the Thuggee cult.

Barolo wine is a red wine from the Piedmont region of France, made from nebbiolo grapes. The bottle in Ivan’s possession comes from a warlord in Kashmir, at the Northern tip of India, bordering Afghanistan.

Ursula’s “If you strike at a king, you best not miss,” is a combination of a saying attributed to Ralph Waldo Emerson (“When you strike at a king, you must kill him.”) and the more famous pop culture formulation from The Wire (“You come at the king, you best not miss.”). Ivan’s retort, “I never miss,” is also what James Bond quips when he despatches Elektra King in The World is Not Enough.

The song the young Augments are listening to on Ivan’s boombox is “Your Touch” by Particle House, released in 2021. There were several references in previous episodes to this still being a timeline where Khan and his people left Earth in 1996, but if we are to take this as accurate, perhaps we are in the timeline where the Eugenics Wars took place in the 2020s (SNW: “Tomorrow and Tomorrow and Tomorrow”).

We know that McGivers eventually died because of the Ceti eels, and we are now told how she became infected.

Ivan’s scream of “Khan!” is of course echoing the infamous scene where Kirk also screams Khan’s name in ST II.

I’m pretty much on board with the idea that Lear is Kali. The sums work out (she would be around 25-26 years old), as well as why Delmonda would hand her McGivers’ logs and Lear’s interest in how the Federation deals with people with Augment ancestry. They could of course throw us a twist, but it’d be a cheap one given the build-up.

As Marla slips away, Khan quotes from the last stanza of Kubla Khan: “A damsel with a dulcimer / In a vision I once saw: / It was an Abyssinian maid / And on her dulcimer she played, / Singing of Mount Abora. / Could I revive within me / Her symphony and song, / To such a deep delight ’twould win me, / That with music loud and long, / I would build that dome in air…”